Glacial Errata, No. 75

If any of us were as well taken care of as the sentences of Henry James, we'd never long for another, never wander away: where else would we receive such constant attention, our thoughts anticipated, our feelings understood? Who else would robe us so richly, take us to the best places, or guard our virtue as his own and defend our character in every situation? If we were his sentences, we'd sing ourselves though we were dying and about to be extinguished, since the silence which would follow our passing would not be like the pause left behind by a noisy train. it would be a memorial, well-remarked grave, just as the Master has assured us death itself is: the distinguished thing.

—William H. Gass, On Being Blue

[Editor’s Note: “Take, meanwhile pray, the Ambassadors very easily and gently; read five pages a day,” James wrote to the Duchess of Sutherland. Perhaps save one paragraph for each day of the week? All the more to savor, all the longer to be held by them.]

One: The Aspern Papers (1888)

The gondola stopped, the old palace was there; it was a house of the class which in Venice carries even in extreme dilapidation the dignified name. “How charming! It’s gray and pink!” my companion exclaimed; and that is the most comprehensive description of it. It was not particularly old, only two or three centuries; and it had an air not so much of decay as of quiet discouragement, as if it had rather missed its career. But its wide front, with a stone balcony from end to end of the piano nobile or most important floor, was architectural enough, with the aid of various pilasters and arches; and the stucco with which in the intervals it had long ago been endued was rosy in the April afternoon. It overlooked a clean, melancholy, unfrequented canal, which had a narrow riva or convenient footway on either side. “I don’t know why—there are no brick gables,” said Mrs. Prest, “but this corner has seemed to me before more Dutch than Italian, more like Amsterdam than like Venice. It’s perversely clean, for reasons of its own; and though you can pass on foot scarcely anyone ever thinks of doing so. It has the air of a Protestant Sunday. Perhaps the people are afraid of the Misses Bordereau. I daresay they have the reputation of witches.”

Two: The Story in It (1902)

The weather had turned so much worse that the rest of the day was certainly lost. The wind had risen and the storm gathered force; they gave from time to time a thump at the firm windows and dashed even against those protected by the verandah their vicious splotches of rain. Beyond the lawn, beyond the cliff, the great wet brush of the sky dipped deep into the sea. But the lawn, already vivid with the touch of May, showed a violence of watered green; the budding shrubs and trees repeated the note as they tossed their thick masses, and the cold troubled light, filling the pretty saloon, marked the spring afternoon as sufficiently young. The two ladies seated there in silence could pursue without difficulty—as well as, clearly, without interruption—their respective tasks; a confidence expressed, when the noise of the wind allowed it to be heard, by the sharp scratch of Mrs. Dyott’s pen at the table where she was busy with letters.

Three: The Wings of the Dove (1902)

The number of new things our young lady looked out on from the high south window that hung over the Park—this number was so great (though some of the things were only old ones altered and, as the phrase was of other matters, done up), that life at present turned to her view from week to week more and more the face of a striking and distinguished stranger. She had reached a great age—for it quite seemed to her that at twenty-five it was late to reconsider; and her most general sense was a shade of regret that she had not known earlier. The world was different—whether for worse or for better—from her rudimentary readings, and it gave her the feeling of a wasted past. If she had only known sooner she might have arranged herself more to meet it. She made, at all events, discoveries every day, some of which were about herself and others about other persons. Two of these—one under each head—more particularly engaged, in alternation, her anxiety. She saw as she had never seen before how material things spoke to her. She saw, and she blushed to see, that if, in contrast with some of its old aspects, life now affected her as a dress successfully "done up," this was exactly by reason of the trimmings and lace, was a matter of ribbons and silk and velvet. She had a dire accessibility to pleasure from such sources. She liked the charming quarters her aunt had assigned her—liked them literally more than she had in all her other days liked anything; and nothing could have been more uneasy than her suspicion of her relative's view of this truth. Her relative was prodigious—she had never done her relative justice. These larger conditions all tasted of her, from morning till night; but she was a person in respect to whom the growth of acquaintance could only—strange as it might seem—keep your heart in your mouth.

Four: The Ambassadors (1903)

The place itself was a great impression—a small pavilion, clear-faced and sequestered, an effect of polished parquet, of fine white panel and spare sallow gilt, of decoration delicate and rare, in the heart of the Faubourg Saint-Germain and on the edge of a cluster of gardens attached to old noble houses. Far back from streets and unsuspected by crowds, reached by a long passage and a quiet court, it was as striking to the unprepared mind, he immediately saw, as a treasure dug up; giving him too, more than anything yet, the note of the range of the immeasurable town and sweeping away, as by a last brave brush, his usual landmarks and terms. It was in the garden, a spacious cherished remnant, out of which a dozen persons had already passed, that Chad’s host presently met them while the tall bird-haunted trees, all of a twitter with the spring and the weather, and the high party-walls, on the other side of which grave hôtels stood off for privacy, spoke of survival, transmission, association, a strong indifferent persistent order. The day was so soft that the little party had practically adjourned to the open air but the open air was in such conditions all a chamber of state. Strether had presently the sense of a great convent, a convent of missions, famous for he scarce knew what, a nursery of young priests, of scattered shade, of straight alleys and chapel-bells, that spread its mass in one quarter; he had the sense of names in the air, of ghosts at the windows, of signs and tokens, a whole range of expression, all about him, too thick for prompt discrimination.

Five: The Jolly Corner (1908)

He spoke of the value of all he read into it, into the mere sight of the walls, mere shapes of the rooms, mere sound of the floors, mere feel, in his hand, of the old silver-plated knobs of the several mahogany doors, which suggested the pressure of the palms of the dead the seventy years of the past in fine that these things represented, the annals of nearly three generations, counting his grandfather’s, the one that had ended there, and the impalpable ashes of his long-extinct youth, afloat in the very air like microscopic motes. She listened to everything; she was a woman who answered intimately but who utterly didn’t chatter. She scattered abroad therefore no cloud of words; she could assent, she could agree, above all she could encourage, without doing that. Only at the last she went a little further than he had done himself. “And then how do you know? You may still, after all, want to live here.” It rather indeed pulled him up, for it wasn’t what he had been thinking, at least in her sense of the words, “You mean I may decide to stay on for the sake of it?”

[Header image is a detail from “Portland Place,” by Alvin Langdon Coburn, from the New York Editions of Henry James]